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Rothenstein .:. An Introduction to English Paintig
156203
Rothenstein, John, An Introduction to English Paintig. London 1947.
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Beschreibung
Rothenstein, John,
An Introduction to English Paintig. London: Cassell, 1947. X, 150 Seiten mit Abbildungen und Register. Leinen mit Schutzumschlag. 362 g
* Gebräunt, Schutzumschlag mit kleinen Rissen.
Bestell-Nr.156203
Rothenstein | Malerei | Kunstgeschichte | Grossbritannien
An Introduction to English Painting
A concise and authoritative guide to the development of English painting. From the superb medieval manuscripts written in the monastic cells of Lindisfarne, Winchester and Canterbury, the salient features of English painting to the paintings of the later nineteenth century are recorded with a thoughtfulness that makes delightful reading. The book appeals to all who are interested in British art, whether serious students, or visitors to the great national galleries who have a liking " for certain pictures without quite knowing why. Mr. Rothenstein's wide knowledge and experienced criticisms will show the way to a clearer understanding of the subject.
JOHN ROTHENSTEIN
An Introduction to English Paintig. London: Cassell, 1947. X, 150 Seiten mit Abbildungen und Register. Leinen mit Schutzumschlag. 362 g
* Gebräunt, Schutzumschlag mit kleinen Rissen.
Bestell-Nr.156203
Rothenstein | Malerei | Kunstgeschichte | Grossbritannien
An Introduction to English Painting
A concise and authoritative guide to the development of English painting. From the superb medieval manuscripts written in the monastic cells of Lindisfarne, Winchester and Canterbury, the salient features of English painting to the paintings of the later nineteenth century are recorded with a thoughtfulness that makes delightful reading. The book appeals to all who are interested in British art, whether serious students, or visitors to the great national galleries who have a liking " for certain pictures without quite knowing why. Mr. Rothenstein's wide knowledge and experienced criticisms will show the way to a clearer understanding of the subject.
JOHN ROTHENSTEIN
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